Nam June Paik

V-yramid
1982

One of Nam June Paik’s largest-scale video installations, V-yramid was created for the artist’s retrospective exhibition at the Whitney. It consists of forty televisions of varying sizes stacked into a pyramidal shape and was designed to fill the galleries floor-to-ceiling. In each of the televisions, a video produced by Paik on custom-made video synthesizer technology pulsates alongside music ranging from popular rock songs to traditional Korean ballads. Central to Paik’s concept for V-yramid is the notion of duality. Running through many aspects of the work is a tension between two poles—for instance, the contrast between contemporary rock music and traditional Korean music; the fluidity of the video imagery and the architectural rigidity of the pyramid; the high culture of a religious monument and the low culture of television; and, finally, the ancient pyramid form and the era’s cutting-edge technology. Yet Paik did not necessarily see these opposing elements as being in conflict with one another. Indeed, as he noted: “The Egyptian pyramids are the first example of a combination of high art and high tech, because they used many of the cutting edge technologies of their time.”

Not on view

Date
1982

Classification
Sculpture

Medium
Video installation, color, sound, with forty television sets

Dimensions
Overall: 186 3/4 × 85 × 74in. (474.4 × 215.9 × 188 cm)

Accession number
82.11

Credit line
Whitney Museum of American Art, New York; purchase, with funds from the Lemberg Foundation, Inc. in honor of Samuel Lemberg

Rights and reproductions
© Nam June Paik Estate

API
artworks/5459





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